Today is the anniversary of the eruption of Mt. Vesuvius – perhaps anniversary isn’t the most appropriate title I understand (who exactly is still married?) – but I wanted to write a bit on my thoughts about how we interpret the ancient world with regards to textual sources as compared to the wealth of resources (!) that Vesuvius has given us.
I had downloaded a few version’s of Allen Ginsberg’s America last week, and upon listening to them, I was struck by something marvelous. Stay with me here. In short, I have two completely different recordings of Ginsberg reading his infamous “America” – yet the two readings couldn’t be more different – specifically in regard to the ORALITY of the text.
What’s I’m trying to say here – is that in one reading Ginsberg is almost laughing as he reads it – as the audience laughs with him. The other is a recording, spoken in a solemn and authorial voice, with morose piano music played by Tom Waits as accompaniment in the background.
What’s the make of this? As a historian I am always concerned about what an author is trying to say – so when we read the course, it’s interesting to consider the tone that an author is trying to use. Of course, I’m talking specifically about textual sources – and what’s more – is a very specific type of source. Because I wouldn’t go so far as to say that the New Testament for example, would have been voiced in a farcical kind of tone. But consider narratives; those authors who write long prose about a certain topic. I think we must ask ourselves whether the author’s intent is something that we can effectively ascertain.
Again, this of course wouldn’t mean much for the archaeological findings found at Vesuvius. And I think, that in terms of textual to archaeological sources, that the latter are a much more concrete (igneous rock perhaps – jeez!) kinds of source.
Just some food for thought.